文献类型：期刊文献

中文题名：牟宗三的善美学与康德的审美共通感

英文题名：On Mou Tsung-san's moral aesthetics and Kant's aesthetic common sense

作者：陈迎年[1]

机构：[1]华东理工大学哲学所,上海200237

年份：2010

卷号：25

期号：2

起止页码：92

中文期刊名：华东理工大学学报（社会科学版）

外文期刊名：Journal of East China University of Science and Technology：Social Science Edition

收录：国家哲学社会科学学术期刊数据库;CSSCI:【CSSCI_E2010_2011】；

基金：上海市哲学社会科学规划课题"儒家文化与当代生活:牟宗三美学思想批判"(2008FZX001)的阶段性成果

语种：中文

中文关键词：牟宗三;善美学;智的直觉;审美共通感

外文关键词：Mou Tsung-san; moral aesthetics; intellectual intuition; common sense

摘要：牟宗三善美学的突出标志,便是否定康德的审美共通感。因而,这种善美学并不足以批判康德美学的形式化和空虚化,反而在真善美的"合一说"中极成了一种智的直觉的形式主义,让美与政治、经济、伦理等社会生活的实际内容完全融离。这样,这种善美学也就成为牟宗三"道德的形而上学"的路标,为我们标明:牟宗三式的"内圣"不但不足以开出"新外王",反而可能造就一种反政治的政治哲学。
Mou Tsung-san intended to establish a moral aesthetics in explaining Confucianism with intellectual intuition rather than with Kant＇s aesthetic judgment.Firstly,it was founded on a moral metaphysics ultimately through uniting knowledge and aesthetic with moral;secondly,it criticized the formalism and emptiness of Kant＇s aesthetics,and also distinguished itself from Taoism and Heidegger.In this way,Mou Tsung-san reconstructed Chinese＇s traditional ethics-aesthetics.It is a treatment for contemporary consumer aesthetics.It may,however,do the reverse of what people are expected to do.