详细信息
消费时代下文化遗产保护之乡愁“情”“殇”——兼论城乡文化遗产的“道”“器”创想
Nostalgia "Feeling" and "Mourning" of the Activation of Cultural Heritage Protection in the Era of Consumption:on the Creation of "Theory" and "Tool" of Urban and Rural Cultural Heritage
文献类型:期刊文献
中文题名:消费时代下文化遗产保护之乡愁“情”“殇”——兼论城乡文化遗产的“道”“器”创想
英文题名:Nostalgia "Feeling" and "Mourning" of the Activation of Cultural Heritage Protection in the Era of Consumption:on the Creation of "Theory" and "Tool" of Urban and Rural Cultural Heritage
作者:张杰[1];庞骏[2];蔡宇超[1]
机构:[1]华东理工大学艺术设计与传媒学院,上海200237;[2]上海对外经贸大学会展与传播学院,上海200235
年份:2023
卷号:30
期号:4
起止页码:88
中文期刊名:城市发展研究
外文期刊名:Urban Development Studies
收录:CSTPCD;;国家哲学社会科学学术期刊数据库;北大核心:【北大核心2020】;CSSCI:【CSSCI2023_2024】;CSCD:【CSCD2023_2024】;
基金:国家社科重大基金(编号21&ZD215);国家社科艺术基金(编号20BH154);上海社科专项基金(编号2019ZJX002)。
语种:中文
中文关键词:消费社会;文化遗产;保护活化;乡愁;情殇
外文关键词:Consumer Society;Cultural Heritage;Protection and Activation;Nostalgia;The Feeling and Mourning
摘要:消费时代下,乡愁为文化遗产注入“情”怀,遗产得到保护活化,同时也出现了“殇”折事件,演绎出城乡文化遗产保护之乡愁“情”“殇”。运用消费社会与乡愁理论,围绕遗产三种维度、时空价值、主客体及路径等解析遗产“情”“殇”根源:乡愁的本源是情感的回归,作为干预遗产活动语境时,嬗变为感性语境下乡愁范畴需求,而非遗产本我需求,同时叠加消费下的种种异化,由此制造出情感逻辑与遗产本我的混乱。据此提出建构大国文化遗产“道”“器”创想。
In the era of consumption,nostalgia has injected "emotion" into urban and rural cultural heritage,and a large number of heritages have been better protected and activated.At the same time,it has also created some "mournful" events of heritages,which deduces the "emotion" and "mourning " of nostalgia in the protection and activation of urban and rural cultural heritage.Based on this,using the theory of Consumer Society and Nostalgia,this paper analyzes the causes of "Feeling" and "Mourning" in the activation of urban and rural heritage protection around the three dimensions of heritage,the value of protection and activation of space and time,the subject and object of heritage and the path of heritage protection and activation,and reveals its root cause:the origin of nostalgia is the return of emotion,when used as the context of intervention in heritage activities,evolves into the needs of the category of nostalgia in the perceptual context,rather than the needs of the id of heritage,At the same time,various dissimilation under the superposition of consumption have created the confusion of emotional logic and heritage id.Based on this,the author further puts forward the idea of constructing the Creation of "Theory" and "Tool" of the cultural heritage of the big power.
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