文献类型：期刊文献

中文题名：喜龙仁摄影与1930-1940年代中国古典园林观念史的转向

英文题名：Osvald Sirén’s Photography and the Turn of History of Ideas on Classical Chinese Garden in the 1930s and 1940s

作者：闫爱宾[1];朱诗漪[1]

机构：[1]华东理工大学艺术设计与传媒学院,上海200237

年份：2023

期号：5

起止页码：95

中文期刊名：建筑学报

外文期刊名：Architectural Journal

收录：CSTPCD;;北大核心:【北大核心2020】；CSSCI:【CSSCI2023_2024】；

基金：国家社会科学基金项目(17WYS003);上海市浦江人才计划项目(2020PJC021)。

语种：中文

中文关键词：喜龙仁;摄影术;中国古典园林;观念史

外文关键词：Osvald Sirén;photography;Chinese classical garden;history of ideas

摘要：自19世纪以来,摄影术作为新的图像生产方式影响着园林的视觉表达,作为一种可控型工具,相机背后潜藏的是拍摄者特定的拍摄意图与视觉控制。从喜龙仁的园林摄影出发,挖掘其拍摄行为背后所折射出的园林观念,指出喜龙仁的镜头开启了在跨文化语境下以园林为主体的认知模式,力图揭示1930-1940年代园林观念的流变历程,丰富当下对园林内涵的认识。
Since the 19th century,photography has influenced the visual expression of gardens as a new method of image production.As a controllable tool,the camera expresses the photographer’s specific intention and visual control.Taking the garden photography of Osvald Sirén as an object of study,this paper attempts to explore the garden concept reflected by the photographic behavior and points out that Sirén’s lens initiated the cognitive mode of the ontology of Chinese gardens in a cross-cultural context,aiming to reveal the evolution of the classical Chinese garden ideas during the 1930s and 1940s to enrich the current understanding of the connotation of gardens.