文献类型：期刊文献

中文题名：沃尔特·佩特的“为艺术而艺术”及其道德意义

英文题名：Walter Pater's Art for Art's Sake and Its Moral Significance

作者：陈丽[1]

机构：[1]华东理工大学外国语学院,上海200237

年份：2016

卷号：31

期号：2

起止页码：115

中文期刊名：华东理工大学学报（社会科学版）

外文期刊名：Journal of East China University of Science and Technology：Social Science Edition

收录：国家哲学社会科学学术期刊数据库;CSSCI:【CSSCI2014_2016】；

基金：国家社科基金项目"英国唯美主义思想中的道德精神"(13BWW006);华东理工大学培育基金"沃尔特.佩特唯美主义思想研究"(WS1422001)

语种：中文

中文关键词：沃尔特·佩特康德;为艺术而艺术;道德

外文关键词：Walter Pater; Immanuel Kant; art for art＇s sake; morality

摘要：沃尔特·佩特为艺术而艺术的唯美主义理论具有深刻的道德意义。佩特的唯美主义观点承继了康德的美学思想,他指出审美活动的最基本特点是它的无关利益性。佩特鼓励为艺术而艺术,正是基于审美活动的无关利益性。艺术是为欣赏而欣赏,欣赏的过程即是目的,目的和手段得到了统一。佩特倡导用审美的态度对待生活,是对现实生活中盛行的功利主义和目的论的质疑和平衡,表现了佩特唯美主义理论中所蕴含的道德关怀。
This paper deals with Walter Pater＇s aesthetic concept of art for art＇s sake and it moral significance from the perspective of Kant＇s aesthetic influence. Kant＇s analysis of beauty points out that the essential character of beauty is disinterestedness, and beauty yields the spectator disinterested and free satisfaction. Inheriting Kant＇s idea of disinterestedness, Pater proposes for art for art＇s sake. He celebrates the principle of beholding for the mere joy of beholding, for the process of which makes life a thing in which means and ends are identified. In this sense he elevates art as the principle of all higher morality. Pater＇s art for art＇s sake challenges the prevalent teleological orientation in reality, demonstrating the moral concern of his aesthetic theory.